Phoenix Cinema

film reviews from the vaults

Disraeli (1978)

“Reform is a dangerous experiment.”

Disraeli: Portrait of a Romantic is a 1978 BBC miniseries recently released on DVD. This 2 DVD set runs at around 4 hours–with each disc containing 2 episodes. The film begins with a very young Disraeli (Ian McShane) casting around for exactly how to make an impression on the world. With a couple of novels already under his belt, he’s attracted to politics. As a Jew (baptized into the Anglican church at age 13), and as an overdressed dandy, Disraeli overcomes prejudice, and receives sound advice from many friends on his path to political success. The film charts Disraeli’s early forays into politics and the significant relationships in his life: Mary Anne Lewis (Mary Peach), Robert Peel (Antony Brown) Baron de Rothschild (David de Keyser), and Edward George Bulwer-Lytton (Brett Usher).

At first the conservative party views Disraeli as a radical, but Disraeli sees himself as a ‘progressive conservative.’ Disraeli fails multiple times when he attempts to run for parliament, but he persists and is assisted immeasurably when Wyndham Lewis, in effect, ‘purchases’ a seat in the House of Commons for Disraeli. The film outlines a corrupt and impenetrable system. In one instance, for example, a scene details just how many male voters there are in one town, and also emphasizes the fact that these voters will cast their votes where their employers demand.

The film highlights the most significant moments in Disraeli’s life–the turning points of the amazing, and lengthy career of a man who served twice as Prime Minister during some turbulent times in British history. We see the compromises Disraeli was willing to make to further his career and to further Imperialism, the lifelong friends, the bitter enemies, and the ever-troubling “Irish Question.” While Disraeli’s relationship with Queen Victoria (Rosemary Leach) is based on a mutual respect and admiration, Gladstone is seen as a bitter fanatic, whipping up war frenzy in order to create political unrest for Disraeli. The film includes one scene depicting Gladstone condemning Disraeli’s foreign policies, but the film only touches on the subject of the Great Game while glossing over Gladstone’s criticisms as personal vindictiveness and peevishness on his part. Well, this is Disraeli’s film, after all, and he’s a far more glamorous figure than Gladstone, I suppose. But I couldn’t help but wonder how Gladstone’s version of events would compare.

The film spends a fair amount of time explaining Disraeli’s metamorphosis from being seen as “a tinseled coxcomb,” and “a flashy upstart,” to settling into a sensible, yet loving marriage in which he grew into the consummate politician. My favourite scene pits Disraeli against the wily Baron von Bismarck (nice performance by Brewster Mason), but some of the accents from other players are dreadful. Directed by Claude Whatham, this satisfying and entertaining miniseries doesn’t shake any foundations, but it’s certainly a tasty, well-acted BBC miniseries for fans of British television.

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