“We’re not from Pakistan.”
Any film from director Ken Loach film deserves a look, and A Fond Kiss, although lighter fare than this director’s usual films, is not an exception. Based on the rocky romance between an Irish Catholic music teacher and a Scottish-Pakistani man, the film takes a good hard look at the difficulties faced when contemplating a relationship that crosses cultures and ethnicity.
Casim Khan (Atta Yaqub) is a young, modern Glaswegian. A DJ by night, he hopes to open his own club. He’s also a good loyal son, and lives at home with his parents and two sisters. His father emigrated from Pakistan decades early under conditions of extreme hardship, and now the family owns a small corner shop. An arranged marriage is planned for Casim and he’s due to be married in a matter of weeks to his cousin, Jasmine, when he meets and falls for Roisin Hanlon (Eva Birthistle), a teacher at his younger sister’s school.
The film does an excellent job of showing the clash between Casim and Roisin’s cultural expectations, and their failure to understand the pressures each bears when societal forces align against them. Casim straddles both Scottish and Pakistani cultures, and he successfully manages to negotiate each by leading a double life. The duality of Casim’s existence is depicted particularly well in a scene at a club. Casim’s western self is enjoying the evening at the club when he sees his sister trying to enjoy herself there too. Casim’s muslim standards kick into high gear and he orders his sister home. In one of the best scenes on the film, Casim and Roisin discuss religion. There are so many points of agreement, and yet they are also theologically poles apart. Each finds some aspects of the other’s religion absurd, and somehow this scene captures the difficulties this couple will face if they should decide to make the relationship more permanent.
In the hands of many directors A Fond Kiss would be standard predictable boy-meets-girl fare. But under Loach’s direction, the plot is elevated and thought provoking. As a result, this is a blisteringly honest film, and while Yaqub’s performance is a little weak, Eva Birthistle is wonderful. Flashes of humour soften the possibly harsh interpretation of Casim’s parents’ expectations adding a lighter element in what could so easily been an impossibly depressing film. Ken Loach is one of the most interesting directors working today, and if you enjoy this I also recommend Bread and Roses. In English and Punjabi with subtitles.