“I don’t usually throw myself at people.”
In Un Coeur en Hiver (A Heart in Winter) Maxim (Andre Dussollier) and Stephan (Daniel Auteuil) work together in Paris. Maxim (Andre Dussollier) owns and runs a business that specializes in violins. Maxim’s clients come from all over the world to buy, sell, or repair their instruments. Stephan (Daniel Fauteuil) is an employee, and it’s his job to repair and also build violins. Stephan obviously loves his work, and he does his job with precision and excellence. Maxim is charismatic and has the social skills Stephan lacks. Maxim is the person who meets the clients and flies all over the world to bring back the violins Stephan salvages. Stephan is quiet, self-contained and far more complex than Maxim. The two men have an interesting relationship. On the surface, it would appear that they are equals whose different talents create a great working partnership, but the story, which is at first narrated by Stephan, reveals an inequity in the relationship. One day, Maxim confesses that he’s in a relationship with a violinist, Camille Kessler (Emmanuelle Beart). He introduces Camille to Stephan, and trouble begins.
Camille Kessler is used to people taking care of her. There’s her long-time, slightly jealous agent/manager, Regina who is also ready to act as a protective duenna. And then there’s Maxim. He’s so grateful that Camille looks at him, that he’s ready to take her on any terms–even though he knows her music comes first. Stephan appears to be incapable of emotion, yet many questions remain as to his motivations. Does he play mind games with both Camille and Maxim or he is genuinely stirred by a tweak of passion? The acting is phenomenal. Emmanuelle Beart as Camille is subdued and self-contained, and her passion appears to be only for music–until the right buttons are pushed. Auteuil–as always–masters his role of Stephan–a complicated man who doesn’t appear to need anything. It would be a tremendous understatement to label this film ‘a love triangle’ as the film is far more complex than that. The plot remains (after watching the film at least a dozen times) open to several interpretations. This marvelous French film (with English subtitles) and directed by Claude Sautet, will have a special appeal to classical music lovers. The soundtrack is stupendous. For those interested–to understand Stephan’s character, read Lermontov’s novel A Hero of Our Time. (The novel is even mentioned in the film.) Stephan is a modern-day version of Pechorin.