The Strange Loves of Martha Ivers (1946)

 “Don’t look back, baby. Don’t ever look back.”

Young Martha Ivers shares a terrible secret with her two childhood friends, Sam Masterson and Walter O’Neil concerning the death of her Aunt. Years pass, and Martha (Barbara Stanwyck) is now married to District Attorney O’Neil (Kirk Douglas). They still live in Iverstown (named for Martha’s wealthy family). Their marriage is not a happy one, but it’s sealed by shared guilt. Martha is now the wealthiest woman in Iverstown, and she and her husband either own or control everything in this corrupt small town.

strange-love-of-martha-iversOne night, a car accident strands Sam (Van Heflin) in Iverstown. It’s mere coincidence that he’s back after an absence of almost twenty years, but Walter and Martha assume he’s there to blackmail them. Their guilt alerts Masterson to the possibilities of the situation, and so he sets out to exploit it.

From director Lewis Milestone, The Strange Love of Martha Ivers is a classic entry in the genre of film noir. Kirk Douglas, in his first screen role, stars as Walter O’Neil. Obviously the studios did not yet have Douglas type-cast in the strong hero roles he later assumed. In this film, he plays mealy-mouthed O’Neil–a spineless man who’s pushed around by his wife. O’Neil’s love for his wife is sick and corrupted. He knows she despises him, but he’s going to hang onto her no matter what it takes. Lizabeth Scott stars as Toni–the girl Sam meets on his first night in town. Scott enjoyed an all-too brief career but chose to stay out of the limelight shortly after an expose in Confidential magazine. Scott reminds me very much of Lauren Bacall, and this may sound like heresy, but I prefer Scott. She’s rough around the edges and seems to be the genuine article. If Bacall hangs out with low-lifes, she is just slumming, but Lizabeth Scott seems to belong with the dregs of society–just waiting for some man to rescue her and take her home. It’s not a stretch of the imagination to envision her as Toni–the hard luck girl who’s just released from jail.

Barbara Stanwyck is, of course, one of film noirs great leading ladies. She’s ice cold and cruel in this role. But there’s more to Martha than meets the eye. In Martha’s first hysterical scene with her aunt, we get a glimpse of the hard, heartless woman she’ll become. And yet Martha claims to love Sam–but her love is twisted and sick too. She’s not capable of loving anyone in any normal sense of the word. Van Heflin as Sam–is a cipher. He’s a WWII veteran with a checkered past. As a child, he dominated Walter, and when Sam blows back into town, he picks up where he left off. Yet ultimately, Walter and Sam seem to recognize each other’s position. The relationship between Martha, Sam, and Walter dominates this fascinating film. The DVD is excellent quality. For film noir fans, I wholeheartedly recommend The Strange Love of Martha Ivers. It’s a fantastic film


Filed under Barbara Stanwyck, Film Noir, Lizabeth Scott

3 responses to “The Strange Loves of Martha Ivers (1946)

  1. Idetrorce

    very interesting, but I don’t agree with you

  2. benrylan

    This film is marvellous, and Lizabeth Scott is an absolute legend. I love her in everything she’s done. This movie is often dismissed by the critics, but it made a lot of money, so the audience disagrees. How can you not? Even today, once the opening credits start, you can’t look away.

    Lizabeth Scott did not leave her film career due to the Confidential article though. And she didn’t lose the lawsuit either, the courts bungled the case. She walked out with her head held high and never looked back. She still lives on Hollywood Boulevard in a big house right around the corner from Elizabeth Taylor. Apparently she was friends with Michael Jackson too.

    • Guy A. Savage

      I wish Lizabeth Scott had made more films. She has such grace and presence.
      I was thinking just the other day that she still had to be alive somewhere, so thanks for the comment. I’ll edit the info about Confidential magazine. I’d read somewhere that it had basically ended her career (even though the suit was ‘bungled’ as you say) and that she stopped getting roles, but so much becomes hearsay through the years.
      I’ve been thinking about getting the book about Hal Wallis because it contains info about Scott and there’s, sadly, so little available.

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