“We kept living as though nothing had happened.”
The excellent Italian drama Days and Clouds (aka Giorni e Nuvole) charts the disintegration of the marriage of an affluent middle-aged couple as their fortunes change for the worse. When the film begins, the very attractive Elsa (Margherita Buy) has just completed a long-held ambition to graduate from art school, and her husband, Michele (Antonio Albanese) gives her a pricey pair of antique earrings and throws a surprise party. But all this appearance of wealth is a façade. The party is over quite literally when Michele reluctantly reveals that he’s now unemployed and has been for months. A former company director, he’s been squeezed out by his partners as part of a restructuring move. Elsa is flabbergasted to learn that there is hardly any money left to pay the bills, and that their lifestyle must change radically. Blindsided by the news, she tries to gauge just how bad things are.
The film follows exactly how this couple copes with the many changes they must face, and there are moments when they are both in denial about the severity of their financial crisis. Elsa has no idea how much their monthly expenses are, and so she must rapidly learn some of the very basic facts about their finances before even beginning to make plans. Michele, on the other hand, has a very difficult time accepting that he can’t pick up the check for all of his friends at the expensive restaurants they habituate. Shame soon leads both Elsa and Michele to cut themselves off from their friends as they sink from their affluent lifestyle to a working class environment without fancy vacations, pricey wines or valuable antiques.
Director Silvio Soldini explored the dynamics of a marriage in trouble in his film Bread and Tulips, but in that film, the wife exploits an opportunity to run away. Not so in Days and Clouds where Elsa tries sticking to her marriage even as her formerly good relationship with Michele disintegrates as the money pressures mount.
As the couple loses their material possessions, Elsa markets her job skills and puts her art restoration interests on hold, working two jobs. Meanwhile, Michele discovers that no one wants to employ a middle-aged executive. This all raises questions: was their marriage “happy” because it was coated with affluence, or is their relationship stressed solely to financial pressures? To exacerbate the situation, it’s also quite clear that once Michele is stripped of his ability to earn a living, on many levels, his wife vastly outclasses him.
The film raises some intriguing issues, but while these issues appear for our scrutiny, they are not dissected and analyzed. For example, as the money pressures mount, we begin to wonder if Michele was really ‘protecting’ Elsa by keeping her in the dark about their financial situation, or if this was just one part of his continuum of denial. Through the course of the film, it becomes apparent that perhaps Michele contributed to his own downfall–certainly his ex-business partners think so.
Days and Clouds includes some simply marvelous touches, the acting is superb, and this is one of the best (and most painful) depictions I’ve seen of the decline of an upper middle class family. This is yet another wonderful film from Film Movement, and Days and Clouds is August’s selection for their DVD of the month club. For more information about Film Movement or to join the club, go to www.filmmovement.com