“I’m hounded by Communists.”
You wouldn’t catch me cozying up to a right-wing fascist dictator responsible for the murders and torture of 1000s of people, but apparently good old Margaret Thatcher couldn’t wait to squeeze in for a photo shoot in one scene of the HBO-BBC made-for-television film Pinochet’s Last Stand (AKA Pinochet in Suburbia) The title, by the way, has an ironic meaning that should become clear by the film’s conclusion.
The film charts the former leader of Chile, Pinochet’s 1998 trip to England, the struggles of human rights groups to detain him in Britain pending extradition to Spain to answer for his crimes, and the legal wrangle that took place. It’s not exactly gripping drama, but this is an interesting film nonetheless for the questions it raises. Pinochet (Derek Jacobi) is depicted as a cunning, arrogant and egotistical old git who stalwartly believes that he is above the law, above any sort of ‘moral’ justice, and does not have to answer for any of his actions. Of course this is the man who took over Chile after the suicide of Allende, and with Socialist president Allende out of the way, Pinochet swept away and “disappeared” anyone leftie he could get his hands on. Of course, with someone like Pinochet, most people are lefties, so that kept the field wide open.
The film depicts the shenanigans behind the legal maneuvers, and the pressures brought to bear against Home Secretary Jack Straw (Michael Maloney). There’s pressure from the US (Bush, the Elder) to hand Pinochet back to Chile (after all the US had supported the overthrow of Allende), and on the other side of the fence, there’s Amnesty International. Then there’s Baroness Thatcher nauseatingly helping Pinochet with his image-makeover. The two old fascists have a cozy time of it together. The film shows how fascists remain resolute while government lefties (Straw) always cave and make concessions. Tony Blair doesn’t qualify as a leftie even though he’s arguably a member of the Labour Party.
The film touches briefly on the crimes committed by Pinochet, and it’s a shame the film didn’t go into this area with more detail. It’s estimated that over 3,000 people were ‘disappeared’ and about 30,000 tortured. One of the Chilean protestors, Nicole (Yolanda Vazquez) plays a woman haunted by her sister’s rape, torture and subsequent disappearance.
Mainly this film raised some questions for debate in my home. Should Pinochet, for example, have been extradited to Spain for crimes against humanity? Should another country prosecute a dictator (Pinochet in this case) when the man’s own country’s judicial system is willing to turn a blind eye? Of course, there are precedents to consider here–the Nuremberg Trials, for example, and our very own Guantanamo Bay where residents of many countries around the globe are grabbed, locked up and not even tried for the crimes of which they are accused. Should crimes against humanity be tried by another country under the idea of Universal Jurisdiction? It shouldn’t be too surprising that Henry Kissinger opposed such a position.
Ultimately, it’s amazing to see how Pinochet achieved victimhood, but sadly the film failed to raise the outrage the subject matter so clearly warranted, and that’s a pity.
From director Richard Curson Smith