“I’m not a talented man. I just translate talented writers.”
Set in Leningrad, Autum Marathon (Osenniy Marafon) is touted as a sad-comedy. It’s the story of translator and lecturer Andrei Pavlovich Buzykin (Oleg Basilashvili), a middle-aged man who’s caught between two women. Andrei is married to Nina (Natalya Gundareva) but locked into a passionate affair with typist Alla (Marina Neyolova). When the film begins, Andrei is busy juggling his affair and his marriage while satisfying the demands of his wife, his mistress, and his career. On top of that, he is hosting a Danish professor, Bill who’s there to work on Russian translations and learn about Soviet culture at the same time.
As the story continues, Andrei finds himself in hot water with his mistress, his wife, and his publisher. Trying to keep both women happy, Andrei passes off a number of increasingly thin lies, and on some occasions, he even tells both women the same lies. There are tense scenes with Nina and the poisonous undertones at the dinner table, and these moments are contrasted with petulance and stone silence from Andrei’s mistress. With Alla pressuring Andrei for marriage, Nina unable to believe Andrei’s pathetic lies, and his publisher warning him to “stop chasing women,” the tense domestic situation reaches a crescendo.
Autumn Marathon is an enjoyable look at a very familiar story. Andrei, who is unhappy with either his wife or his existence, finds some solace in the arms of his mistress, and yet he’s loath to take the final step of breaking away from Nina completely and seeking a divorce. One of the funniest scenes takes place when Alla produces an expensive jacket that she insists Andrei wear home because she wants him to look “modern.” He explains that he cannot just show up in his apartment in a brand new jacket as his wife will be suspicious. Andrei is nagged into accepting the jacket and then must suffer the consequences when Nina sets eyes on it.
One of the interesting things about Autumn Marathon is while the film is ostensibly about a love triangle, the plot shows that the affair is just a symptom of Andrei’s characters flaws. Andrei’s biggest underlying problem is that he’s a push over, and it’s because of this huge character flaw that Andrei finds himself in a state of limbo, unable to make a decision and stuck between Nina and Alla. This character flaw is explored by views of Andrei’s other relationships–relationships in which he cannot set boundaries. Pushy obnoxious neighbour Vasili (Evgeni Leonov), a man who insists that Andrei & Bill go mushroom gathering manages to cause immense trouble with a bottle of vodka. And then there’s a fired teacher, Varvara (Galina Volchek), a woman who begs for Andrei’s help. Andrei cannot refuse Varvara–the word No does not exist in his vocabulary. And this relationship with Varvara brings the final blow to Andrei’s life. This is not a relatively simple matter of a man who cannot chose between two women–Andrei is a man who cannot decide anything. His life is totally out of control and under assault from forces that he is unable to harness. From director Georgi Daneliy