Since the action in the Dutch series, The Adulterer is sparked by an extramarital affair, it’s easy to see how the series acquired its name. While the title evokes racy images, adultery is just one aspect of this complex crime series. The alternate, much more appropriate title is Betrayal or Overspel.
Attractive magazine photographer Iris van Erkel-Hoegaarde (Sylvia Hoeks) is married to public prosecutor Pepijn van Erkel (Ramsey Nasr), and they have a young son together. Although both husband and wife have good careers and a lovely home, we know almost immediately that something is wrong in their marriage. Perhaps it’s Iris’s complete inertia during sex, or perhaps it’s her ability to tune out? Whatever it is, Pepijn, who appears to be a milquetoast, seems blissfully unaware that his mis-matched wife is completely disinterested in him.
At a show of Iris’s photographs, she meets married lawyer Willem Steenhouwer (Fedja van Huêt) the son-in-law of the criminal real estate magnate Huub Couwenberg (Kees Prins), and sparks fly.
Willem is married to Couwenberg’s daughter, Elsie (Rifka Lodeizen). Elsie is so busy running her barely-staying afloat restaurant, that she’s also unaware that her family is falling apart. Not only does Willem begin an affair with Iris, but Elsie and Willem’s twin teenagers Marco (Jeffrey Hamilton) and Marit (Sirid ten Napel) begin dealing with crises of their own when Marco brutally attacks one of Marit’s friends.
The various worlds of the inter-connected characters are fascinating. Huub Couwenberg and his brain-damaged son, Bjorn (Guido Pollemans), live together in mal-adjusted domesticity, and while Bjorn leads a privileged, somewhat sheltered life listening to rock music, playing violent video games and visiting the local brothel, he tries hard to please his father, too hard as the series shows. Huub alternates between explosive anger and affection for the son who frustrates him: a child in a man’s body.
Then there’s Elsie and Willem who lead separate lives with discontented teenagers thrown into the mix. Marit wants to talk about the criminal activities of the family and Marco wants to emulate his grandfather.
But arguably the most chilling aspect of family life is seen in the home of Iris and Pepijn van Erkel. He seems so harmless–with an almost Danny Kaye harmless, buffoonishness to him, but look closely. He’s all over Iris at her exhibition, and then lets her know when he’s waiting, in bed, for sex.
Soon adultery is at the heart of a web of deceit, lies and murder, and the characters who were at one point, divided into the good/bad categories become shades of grey as loyalties clash and various agendas emerge.
There are a few false cliff-hanging moments but certainly not enough to mar this well-acted, addictive series.
In Dutch with subtitles