Tag Archives: peep show

Why Do They Call It Love When They Mean Sex? (1993)

“My only family are the animals, and they’re very liberal.”

Why Do They Call It Love When They Mean Sex? (Por Qué Lo Llaman Amor Cuando Quieren Decir Sexo?), a 1993 film from director Manuel Gómez Pereira, slots, somewhat uneasily into the Rom-Com genre–although the film’s setting is not quite the usual backdrop for the boy-meets-girl scenario.

Gloria (Veróica Forqué) has a solid reputation in the porn star world. Perhaps it’s because she loves her job, or perhaps it’s because she’s good at it, but whatever the reasons are, Gloria puts in a number of nightly live sex peep shows with her long-term partner, gay Karim, and together they are known as Carnal Fire. She’s saving money in her refrigerator for her dream of opening her very own “artistic porn” club: Nights of Glory. Gloria’s plans come to a screeching halt when Karim comes down with the mumps and announces that he’ll be unable to work for months.

Karim, however, produces a replacement–the studley young Manu (Jorge Sanz), a compulsive gambler who’s heavily in debt to a couple of thugs and who’s willing to do anything to get the money he needs.

Neither Gloria nor Manu are sure he’s going to be able to perform sex, live and in public, and there are lots of behind-the-scenes gags with the other performers. After a few practice moves, soon it becomes clear that Gloria has a great new partner, and it seems possible that with Manu she’ll be able to save the money she needs. Enter Manu’s well-to-do parents Sole (Rosa Maria Sardá) and Enrique (Fernando Guillén)….

While this is not a laugh-out-loud comedy, there are some very funny moments–especially so in Gloria and Manu’s live performances. Gloria provides fantasy settings for her audience–and so we see some funny shots of a half-naked fireman with a hose, a leather-clad biker dude, and a half-dressed Roman. Manu is initially very awkward and wants to apply logic to Gloria’s fantasy scenarios while she claims she can no longer have sex “unless there’s applause at the end.” My favourite scene takes place in the TV studio with Gloria and Manu hired as S&M performers. This scene captures Gloria’s naivete as she gushes over her silver wig, and black leather S&M wear, saying how she loves Nazi clothing.

As a fan of the delightful Verónica Forqué, I had to watch this film, and she’s cast perfectly in the role of Gloria. To Gloria, who is very comfortable in her own skin, sex is natural and nothing to be ashamed of, and she seems happy to share her sexual experiences with the heavy-breathers in the peep-show cubicles. Gloria is a perfectly created character–in spite of the fact that she’s a major porn star, she exudes innocence, and even though she’s paid to perform sex, she’s ultimately playful and doesn’t see sex as dirty. Only Forqué could play a naive porn star with such infinite finesse.

Why Do They Call It Love When They Mean Sex? is also about the role of fantasy in our lives. Just as Manu and Gloria provide a number of fantasies for their audience, they are also ultimately swept up in Manu’s parents’ fantasy of a tight-knit nuclear family, complete with respectable jobs and a grandchild. Gloria, who is a kind, very natural people-pleaser, has no problem moving from pleasing the peep-show crowd to indulging Manu’s parents’ fantasy of a happy family. The question is: how long can it last?

Why Do They Call It Love When They Mean Sex?, a very typically post-Franco sexually frank Spanish film which should attract fans of Almodovar, is an entry into Caroline and Richard’s foreign film festival.

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