The Chef’s Wife /On a failli être amies (2014) from director Anne Le Ny is a frothy tale of marital discontent, deceit and betrayal, In spite of the brevity of the material, the film which doesn’t take itself too seriously, is light and even funny at times.
Career counselor Marithé Bressy (Karin Viard) loves her job and looks forward to placing former factory workers in new jobs. Carole Drissi (Emmanuelle Devos) slips into the room full of displaced factory workers but then leaves before Marithé can interview her. Marithé is later surprised to see Carole at the extremely upscale restaurant, Le Moulin Blanc and shocked to learn that Carole is married to the chef/owner Sam (Roschdy Zem). This unexpected meeting leads to the first lie of many in this tale. Carole tells her husband that she met Marithé in gym class, and Marithé goes along with it, covering for Carole.
Initially it’s difficult for Marithé to understand why Carole, who seems to have a good life, sought help from a job counselor, but subsequent meetings between the two women reveal Carole’s deep discontent. She’s tired of always being in her husband’s shadow, living his goals, and longs to break out on her own. Marithé becomes personally involved in helping Carole break into a new career, but as Marithé, who is divorced, eyes Carole’s situation and her husband, it’s obvious that her interest in pointing Carole into a new life–which includes a divorce–is based in self-interest. As the plot thickens, it becomes clear that Carole’s life is complex, and she soon embroils Marithé in even more deceit. So we have Carole lying to her husband, and Marithé lying to Carole. Carole is under the impression that Marithé, who covers many lies and even provides alibis, is her friend, but that’s far from the truth. This is essentially a story of back-stabbing but comic moments lessen the toxins. Of course with all this lying afoot, the truth will out at some point.
Of course, this is on one level an old story–two women who want the same man. Yet does Carole really want Sam anymore? She starts by saying she wants a new career but then the rot of her marriage is slowly revealed. I liked this film for the way it showed how easy it is to envy someone’s life from the outside. Marithé thinks Carole has everything, yet one scene show Sam snapping at Carole in the kitchen in front of the staff. Carole feels suffocated by Sam and HIS life. The film also illustrates how easy it is to go off the straight and narrow–one first step is all it takes and that’s what we see here. Marithé starts breaking her professional rules and soon she’s completely off the rails.
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